Cinematic Films & Photography
for Exceptional Spaces — crafted personally by Svetoslav Hristov
I work with architects, hotels, interior designers, brands & commercial spaces, and homeowners & developers to create press-ready photography and cinematic films. Explore the services below to find the one most relevant to you.
core Services
Architectural Film
1–3 minute films with licensed music, elegant pacing, and immersive motion.Delivered in full resolution + social cutdowns.
Photography
High-resolution stills crafted with natural light and spatial harmony. Ideal for press kits, editorials, and websites.
ANALOG PHOTOGRAPHY
This service is ideal for editorial features, fine-art prints, or personal projects that deserve to be documented with soul and permanence.
Drone Cinematography
Licensed aerial work across the EU. Captures the scale, flow, and setting of architecture.
Creative Direction & Post
Moodboarding, shot planning, full editing pipeline, color grading, and music selection.
Client-Specific Services
I tailor my process to suit each type of space
— from award-winning architecture to boutique interiors.
PROCESS
Architecture deserves to be seen in the light it was designed for — and captured by someone who understands its rhythm, proportions and intention.
My process is built to remove friction. Once we align on direction, you won’t need to manage logistics, chase formats, or explain your vision twice. Whether you need images for press, portfolio, investors or buyers, everything is orchestrated with care so you receive visuals that speak clearly and powerfully on your behalf.
DISCOVERY & strategy
We begin with alignment — not just on location and timing, but on purpose.
Every building has a message. Some speak about precision. Some about calm. Some about openness or protection. Before stepping on site, I aim to understand that language. We discuss how the project should be perceived — bold or subtle, inhabited or untouched, intimate or monumental. Plans or reference photos help define anchor points in the visual story. By the end of this step, there is clarity on what we are showing and why.
1.
PLANNING & SCHEDULING
Light decides everything.
A concrete wall behaves differently at sunrise than it does at noon. Timber reacts to colour temperature. Shadow direction defines geometry. I study how your project interacts with the sun and schedule each capture accordingly. Whether we shoot in phases or within a single intensive session, you’ll know when the most powerful scenes will occur — morning glow on the facade, blue hour reflection in glazing, slow movement through corridors. If needed, we plan for both silence and activity — architecture in solitude and in use.
2.
PRODUCTION
The shoot is conducted with quiet precision.
There is no chaos, no heavy crew footprint, no unnecessary staging. I work independently unless guidance is required — moving through the space with patience, waiting for alignment between form, light and atmosphere. Photography is clean and structurally faithful; film is smooth and observational. Technical equipment appears only when it serves the story rather than distracting from it. If people are involved, they are not models — they are inhabitants. Everything remains honest to the architecture.
3.
POST-PRODUCTION
Editing is not decoration — it is curation.
My goal is to reveal what makes the project intelligent without exaggeration. Perspective lines are corrected, tones are balanced, distractions removed with subtlety. Whites remain white without burning out. Concrete remains soft. Shadows stay legible. For moving images, pacing is determined by the building itself — slow pauses in meditative spaces, dynamic sequences in active ones. The visual atmosphere becomes consistent, refined and publication-ready.
4.
DELIVERY & LONG-TERM ACCESS
You receive more than just images — you receive assets with longevity.
Everything is provided in clearly organised folders — Web, Print, Social, Video — so that your team, press contacts or marketing agency can plug them directly into use. No resizing. No renaming. No missing formats. Files are delivered via a private, branded link that can be shared internally or externally. Your project is also archived in my system, so if six months later a magazine requests a portrait crop or an award submission needs specific dimensions, it can be produced instantly without starting again.
5.
If you’re planning an upcoming project, I’d be glad to discuss how we can translate it into visuals that represent it with clarity and depth — without adding complexity to your workload.
What Clients Say
Trusted by Designers, Developers & Brands
Have a project in Ibiza or abroad?
Let’s bring it to life in motion and stills.